Showing posts with label Aurelia Flores. Show all posts
Showing posts with label Aurelia Flores. Show all posts

Monday, December 12, 2011

Latinos to Be the Majority
of U.S. Population by 2050:
Implications for Latina/o Authors

The face of America is changing rapidly, according to the latest U.S. Census data. If prognostications bear out, Hispanics (the term used in the Census) will be the dominant ethnic group in our nation by 2050. This would be a sea change for our country and one with many implications that we must seriously consider, as discussed below. (The article below first appeared in Aurelia Flores' blog, http://www.powerfullatinas.com/ last month, and is posted here with her permission.)

One of the ramifications is the increased opportunities this new majority group could and should present to Latina/o authors nationwide. Modern Hispanic-American literature, as I've previously written about here, has grown significantly since the early 1960s. With a future nation whose majority is Hispanics, the demand for inclusion of our writings in America's English classes in kindergarten through the university level, in literary anthologies and textbooks, should be more pronounced. This, in turn, could and should have a ripple effect on the entire publishing industry, with its concomitant marketing programs, speaking engagements, and all the trappings that come with big publishing house releases.

But we Hispanic authors must lay the groundwork for this new era of higher literary visibility and prominence. Not only must we continue to hone our craft and increase our productivity, but we must be sure to groom the new generations of writers. This will entail, as discussed below, investing our time and attention more heavily in our children's education. Not only as parents, but as participants in a democratic society, we need to insure that our educational system receives all the resources necessary to boost it, to make it a strong vehicle of growth and enlightenment for all our nation's children, and particularly for our Hispanic children, who often lag behind others.

We need to keep abreast of educational issues and concerns more strongly than has been the case in the past. We need to monitor that educational programs are not the first tier of budget slashing as an automatic political response when economic times are hard. This has been the case this year and last, and most other times of crisis that I can recall. Cutting education is often a knee-jerk response by politicians; and, unfortunately, the citizens oftentimes just go along with it quietly. This must change.

Education in the United States is hurting a lot right now. Critics abound on the left and right of the political spectrum, and Congress often makes decisions that run counter to what educators know is the right path to take. Besides cutting education budgets, Congress, and many states as well, jump to charter schools, or vouchers, or other "silver bullets" that they mistakenly believe will result in better educational outcomes for our students. But--as a lifetime educator and school administrator--I can tell you that a good educational system is one that literally "takes a village": well-trained educators, devoted parents, and an engaged community. Let us work toward establishing this in each of our communities, and collectively, we can build an educational system that will prepare our children for the changes that we will all face in America.

As individual authors, we must engage with our reading public more than we now do. Can we mentor young writers? Can we visit schools and community writing groups to share our knowledge and inspire others? How can we individually and collectively pass our knowledge to aspiring writers and help a new wave of authors come to the fore? Yes, these are things we already do. But how can we expand these strategies? Again, we need to lay the groundwork for a broader pool of Latina/o authors to step up to the plate in the coming decades, to contribute greatly to the fabric of American Literature, and to expand the body of literature created specifically by Hispanics for the betterment of all.

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The post from Powerful Latinas follows:

LATINO VOTERS: INCREASING VISIBILITY, INFLUENCE

by Thelma T. Reyna

The face of America is undergoing vast changes, and most of these pertain to “Hispanics,” as the 2010 United States Census referred to the Latino population. Because the growth of the White population in our nation is very small (one percent) and is decreasing, Whites are predicted to be a minority in about 40 years. At that point in our nation’s history, Hispanics are slated to become the largest ethnic group.

The shift has been rather rapid, with much of the change occurring in the last decade alone, in which Hispanics accounted for more than half of our nation’s growth. One out of every six Americans—over 50 million people—are now Hispanic. Latinos are expected to comprise one-third of America’s population in 40 years. In other words, one out of every three Americans will be Hispanic.

We must all be highly aware of the ramifications of this sea change. Our American society has been predicated throughout our history on the pre-eminence of the White culture, largely because our White population has consistently been the largest demographic group. Along with our country’s historical beginnings and historical evolution, plus the establishment of English as our nation’s language, a Eurocentric culture has flourished, has led our nation in all aspects of life, and has been the face of America to the world.

Hispanics and American Diversity

Diversity is one of our country’s greatest strengths, however, and the infusion of increasingly diverse populations through the centuries has caused other cultures to slowly take their proverbial place at the table. Traditionally, the Hispanic culture, the Hispanic people collectively and generically, have been more of an afterthought, however. There has been a diminished focus on the Hispanic peoples in the United States, and this oversight of Hispanics has often been linked to the public’s association of this demographic group with a foreign language, with Spanish.

Inclusion of Hispanics in the social, economic, and political fabric of American life has been slow, as data regarding Hispanic representation in many American institutions and endeavors have consistently shown: professorships in our universities, the halls of Congress, municipal governments, school district leadership, judicial posts, corporate board rooms, and so on. In fact, Hispanic representation in these and other significant areas of participation and leadership has lagged behind representativeness attained concurrently by other ethnic minority groups, even in areas in which competent Hispanics were ready and available to step up to the plate.
 
Preparing for Future Influence

In a democracy, when a given group of people predominates in numbers, it is incumbent upon them to willingly take up the mantle of leadership, of responsibility for the well-being and prosperity of their society. Our White fellow Americans have done this throughout our history; they have led and shaped our society through crises, wars, immense change, and needed growth. They have predominated in government and in all our institutions, in public and private sectors, and have gone out into the world to represent our nation in good times and bad.


It goes without saying that none of this predominance would have been possible, or would have been effective, without perquisite education, training, and preparation for such roles. No society can flourish without its leaders being absolutely the best they can be in every facet of their work on behalf of the people they represent and are a part of. If indeed, Hispanics become the majority group in America by 2050, as the projections indicate, and if they are to have great, positive influence in the course and fate of our nation, there is much work that must be done.


The Advocacy of Professor Pachón

If Hispanics needed to listen to any one individual regarding their future lives in America, it was Professor Harry P. Pachón, whom the University of Southern California’s Tomás Rivera Policy Institute called “among the most influential voices of his generation in public discourse about the Latino population.” Until his death earlier this month, Dr. Pachón was a USC professor of public policy and former Executive Director of the National Association of Latino Elected Officials Educational Fund.


Dr. Pachón researched and wrote about Latinos’ education, political participation, electoral practices, and racial justice. For 40 years, he examined how public policies affected Latinos and their roles in society. Not partisan or demagogic, he quietly advocated for Latinos and studied their voting patterns....He worked tirelessly to educate Latinos about the importance of voting, to register them to vote, and to promote naturalization. He also focused on public education, informing Latinos of scholarship opportunities and of how they could rise to the middle class. His influence was tremendous.

Who will fill Dr. Pachón’s shoes? This remains to be seen, but the reality remains that many Latinos are still not accustomed to being a part of the political process in America, of having a voice that will be heard and valued....


What Happens Next?

The implication of Hispanics becoming a critical mass is even more compelling when we consider that they now comprise 23% of all people below the age of 18. In California, for example, 51% of all the children are Hispanic. Nationally, the average age of Hispanics is around 35. Consider how this Latino “population bulge”—when the present children become adults—might affect our nation.


There is time to prepare American Latinos for their future as the largest demographic group, but molding young Latinos to be good citizens in our democracy involves acculturating them and affording them ample opportunities for assuming responsibility in school and civic affairs, of training them to participate in democratic processes and decision-making. Our nation needs to understand census projections and to accept the reality, if it indeed comes to pass, that Hispanics will predominate demographically. It is in the nation’s interest that this large group of Americans no longer be treated as an afterthought.


Citizens of a diverse democracy should always learn about, respect, and appreciate the cultures of others. Only by understanding what other groups value and yearn for, what their goals, priorities, and needs are, can we assure that no group shall be left behind in our nation’s progress and prosperity. Knowing one another well serves as a deterrent to discrimination and exclusion. We must do this not only for Latinos but for all our people. Starting with providing the best education we can for all children, and holding high but reasonable expectations for them, we must involve parents in our schools and partner with them to prepare all our children to be bearers of the torch, to take our nation forward.


As I said, we have much work to do, but let us engage in it with an open heart and mind willing to embrace change, because, surely, change will always keep us on our toes.


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Tuesday, October 04, 2011

PART II:  The Evolution of American Latina/o Writing: Some Current Authors

Part I of this topic reviewed the early years of Hispanic literature in the United States, starting with one of the first books published in English, a novel printed in 1872 by María Amparo Ruiz de Burton, writing under the pen name C. Loyal. I discussed recurrent themes in previous centuries and focused on the "Chicano literary renaissance" of the 1970's and 1980's. Part II carries us forward into the latter part of the 20th century and contemporary times.

This article was first published recently in Aurelia Flores' blog, "Powerful Latinas," under a different title and in a slightly different form.



Some of the best-known Latina/o authors today got their publishing start in the 80’s, 90’s, and in the early 2000’s. Many of these literary stars graduated from university creative writing programs, which afforded them better access to publishers and other influential contacts in the writing industry. Examples are Denise Chavez, actress, playwright, and novelist; Sandra Cisneros, whom many consider the best-known American Latina author today, and author of the iconic House on Mango Street; Julia Alvarez, author of the best-selling How the García Girls Lost Their Accents (1991); and Oscar Hijuelos, the first American Hispanic, male or female, to win the coveted Pulitzer Prize for fiction, with his sexy novel based in Cuba, The Mambo Kings Play Songs of Love (1990). The prequel to this bestseller, Beautiful Maria of My Soul, was published this year.

Some modern authors have become national best-selling authors in the recent past, and their stars are rising fast. This includes New York attorney Caridad Piñeiro, author of the SIN Series of compelling paranormal romance books, including Sins of the Flesh; Daniel Silva, writer of the five blockbuster political thrillers starring Gabriel Allon, such as Prince of Fire; and Junot Díaz, highly lauded author of the short story collection, Drown (1996) and the Pulitzer Prize-winning novel, The Brief, Wondrous Life of Oscar Wao (2008).

Other prominent Latina/o authors today, as was sometimes the case with our early literary pioneers, are college and university professors and thus perhaps have a more steady access to publishers. Examples are James Diego Vigil (University of California, Irvine); Susana Chávez-Silverman (Pomona College, California); Teresa Dovalpage (University of New Mexico, Taos); Mike Padilla (UCLA); and Sandra Cisneros (Our Lady of the Lake University, San Antonio, TX).

THE TALENT AND PRODUCTIVITY CONTINUE!

There must be a new Renaissance going on! Here are some of the exciting, highly talented American Latina/o authors today who are winning awards, winning fans, and making their marks on our literary world in different genres. (This list is by no means comprehensive, and I apologize for my omissions. I plan to continue learning about as many of our Latina/o authors as I can and share information about them in future blogs here.) Authors’ names are followed by only one title, which is meant to be a sampling of their work. Many of these authors have published multiple works. Some authors appear in more than one genre, a testament to the versatility of our Latina/o writers:

MEMOIRS: David Pérez, WOW! A South Bronx Memoirito of Growing Up in Catholic Schools; Randy Jurado Ertll, Hope in Times of Darkness: A Salvadoran-American Experience; Susana Chávez-Silverman, Scenes from La Cuenca de Los Angeles.

“CHICK LIT”: Marta Acosta, Casa Dracula series; Margo Candela, Life Over Easy; Mike Padilla, The Girls from the Revolutionary Cantina; Victor Cass, Telenovela; Sofía Quintero, Divas Don’t Yield; Marisa de los Santos, Love Walked In.

• NOVELS: Montserrat Fontes, Dreams of the Centaur; Reyna Grande, Across a Hundred Mountains; Chuy Ramirez, Strawberry Fields; Teresa Dovalpage, Habanera: A Portrait of a Cuban Family; Daniel A. Olivas, The Book of Want; Victor Cass, Love, Death, and Other War Stories; Melinda Palacio, Ocotillo Dreams; Raul Ramos y Sánchez, América Libre; Ana Castillo, The Guardians; Sandra Cisneros, Caramelo.

SHORT STORIES: Stephen D. Gutierrez, Live from Fresno y Los; Mike Padilla, Hard Language; Stella Pope Duarte, Women Who Live in Coffee Shops and Other Stories; Daniel A. Olivas, Anywhere but L.A.; Toni Margarita Plummer, The Bolero of Andi Rowe; Daniel Alarcón, War by Candlelight; Sandra Cisneros, Woman Hollering Creek and Other Stories.


POETRY: Luis J. Rodriguez, Poems Across the Pavement; Vanessa Libertad Garcia, The Voting Booth After Dark; Ricardo Lira Acuña, Greetings from Heaven and Hell; Yago S. Cura, The Rubber-room; Melinda Palacio, Folsom Lockdown; Luivette Resto, Unfinished Portrait.

NONFICTION: Roberta Martínez, Latinos in Pasadena; Manny Pacheco, Forgotten Hollywood, Forgotten History; Alex Moreno Areyan, Mexican-Americans in Los Angeles; Sandra Gutiérrez, Teatro Chicana: A Collective Memoir and Selected Plays; Laura Contreras Rowe, Aim High: Extraordinary Stories of Hispanic & Latina Women; Mayra Calvani, The Slippery Art of Book Reviewing; James Diego Vigil, Barrio Gangs.


• CHILDREN’S LITERATURE: Daniel A. Olivas, Benjamin and the Word; Rene Colato Lainez, Rene Has Two Last Names; Amada Irma Pérez, My Very Own Room; Meg Medina, Tía Isa Wants a Car; Mayra Calvani, Frederico, the Mouse Violinist.


• YOUNG ADULT LITERATURE: David Bueno-Hill, Mr. Clean’s Familia; Gary Soto, Dreams of the Onion.


• MISCELLANEOUS (Humor, Graphic Novels): Gustavo Arellano, Ask a Mexican!; Philip Victor, Jaguar Spirit.


This is just a sampling of what our Latina/o literary landscape looks like at this moment in time. You can learn much more about the evolution of Hispanic literature in the lands destined to become the United States, and in the early centuries of our nation, by reading Reference Library of Hispanic America (Chapter 16, Literature): Volume III, edited by Sonia G. Benson.

Also, please visit my other blog, “The Literary Self,” where you can read my reviews and feature articles about other authors not mentioned here. Finally, my own two books—The Heavens Weep for Us and Other Stories and Breath & Bone—are reviewed by others on my website, on amazon.com, and in various other blogs. See the links below, and thanks for dropping by!

www.ThelmaReyna.com
www.Latinowriterstoday.blogspot.com
www.TheLiterarySelf.blogspot.com


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